Frustrated by that annoying buzzing from your amp? Single coil pickups are especially vulnerable to 60Hz electromagnetic interference. Learn effective solutions like proper shielding, quality cables, and strategic positioning—without dangerous shortcuts that puts your safety at risk.
That annoying buzz coming from your amp isn't random—it's 60 cycle hum, and it has a very specific cause. For many guitarists, it's a recurring problem that can derail tone, performance, and recording quality.
In North America, wall power alternates at 60Hz, producing an electromagnetic field. This field can be picked up by your guitar's electronics—especially if power and audio cables run too close together without adequate shielding. The result? A distinctive hum that often worsens with volume or gain.
It's a common frustration for musicians, particularly when playing through single coil pickups or in environments packed with interference sources. Lighting rigs, neon signs, and even nearby appliances can all generate electromagnetic noise. Knowing how and why hum occurs is the first step to silencing it, and Sam Ash has been helping musicians tackle this problem for decades with specialized equipment and expert advice.
Guitars with single coil pickups—like most Stratocasters and Telecasters—are notorious for 60 cycle hums. These pickups, valued for their clarity and brightness, also act like tiny antennas, making them susceptible to electromagnetic and radio frequency interference (EMI/RFI).
Pickup placement and surroundings affect the severity. Players often report increased hum near lighting systems or digital equipment, especially when using the neck pickup.
Ground loops occur when multiple components in your setup connect to ground through different paths. This creates a loop where unwanted current can flow, generating hum.
This is common when using multiple amps, pedalboards, or plugging gear into separate power outlets. The issue often disappears once a duplicate ground path is removed—confirming the culprit.
Cables are often the weak link. Inferior shielding—especially foil-based designs—can allow electromagnetic interference to creep in. Even well-made cables degrade over time, with internal breaks or compromised shielding that's not always visible.
Sources of EMI/RFI are everywhere. Common offenders include:
Sometimes, simply changing your physical position or facing a different direction can noticeably reduce hum.
Amps themselves—especially tube models—can produce hum if they contain microphonic tubes, failing filter capacitors, or degraded solder joints. These internal issues often require professional servicing, but basic maintenance like checking for loose tubes can help.
Strats and Teles often feature naturally hum-reducing pickup combinations. Positions 2 and 4 on a Strat, or position 2 on a Tele, combine coils to create a humbucker-like cancellation effect. Switching to these during quiet passages can minimize interference on the fly.
Physically shifting your position in a room can reduce exposure to interference sources. Guitarists often find "dead spots" where hum disappears or lessens—especially helpful in rehearsal spaces or unpredictable venues.
Systematic troubleshooting is your best friend when fighting 60 cycle hum. Follow this process to pinpoint exactly where the noise is coming from:
This process helps zero in on the real problem instead of guessing.
Shielding the guitar cavity with copper tape or conductive paint creates a Faraday cage that blocks external interference. Shielding kits are widely available from suppliers like Sam Ash Music and are a cost-effective DIY upgrade for any player.
Star grounding routes all ground wires to a single point, preventing ground loops within the instrument. This simple rewiring strategy often results in immediate noise reduction, especially in older guitars.
Modern noiseless single coils replicate vintage tone while cancelling hum. Options like Fender Noiseless, DiMarzio Area, Seymour Duncan Stacks, and Suhr V60LP offer classic sounds with added quiet.
While purists might argue these don't sound exactly like traditional single coils, technology has improved dramatically. Today's noiseless pickups come remarkably close to vintage tone without the noise penalty.
Devices like the ISP Decimator or Electro-Harmonix Hum Debugger target hum and gating. While useful—especially for high-gain players—they may affect dynamics and aren't always ideal for clean tones.
Products like the Ebtech Hum X isolate ground paths safely without removing the ground pin. They're essential for musicians who gig in venues with unpredictable wiring.
Daisy-chained pedal power can introduce noise. Upgrading to a fully isolated supply (like the Voodoo Lab Pedal Power series or Strymon Zuma) gives each pedal clean, interference-free power.
Power conditioners filter dirty AC and protect gear from surges. Look for units that offer isolated outlets and noise filtering for both digital and analog gear—especially helpful for touring musicians.
As mentioned earlier, quality cables make a tremendous difference. Choose cables with:
These features help maintain tone and reduce signal interference, especially over longer runs.
Never remove the ground pin from a power cable or use "cheater plugs" to eliminate hum. Doing so disables a key safety feature and introduces the risk of electric shock or even fatal injury.
Tube amps contain components that can hold dangerous voltages even when unplugged. If your amp is humming and the source isn't external, seek professional repair.
Avoid unsafe practices like:
Shortcuts may reduce hum temporarily but create major safety risks.
Eliminating 60 cycle hum isn't always one-and-done. Your gear evolves, your environments change—but the fundamentals remain the same:
Some level of hum is natural with certain setups, particularly vintage gear. The goal isn't perfection, but clarity—reducing interference so your tone cuts through clean and confidently.
For players looking to invest in long-term solutions, experts at Sam Ash offer gear, guidance, and insights to help you play hum-free—onstage, in the studio, or at home.